Congresso Internacional
​NICOLAU CHANTERENE E A PRÁTICA ESCULTÓRICA NO CONTEXTO DAS ARTES DO SÉCULO XVI
International Congress
​NICOLAU CHANTERENE
AND THE SCULPTURE
PRACTISE IN THE CONTEXT
OF SIXTEENTH CENTURY ARTS
22, 23 and 24
October 2018
School of Arts and Humanities, University of Lisbon
Amphitheatre 3 and room 5.2
​
Nicolau Chanterene arrived at the great workshop of the Monastery of Santa Maria de Belém (Lisbon) by the end of 1516, or in the beginning of the following year, and remained there throughout 1517, carrying out notable sculptural works, relevant for the introduction of the forms and themes of the Renaissance in Portugal.
​
His subsequent artistic and personal journey, both in Coimbra and in Sintra and Évora, reveals him as a key personality for understanding the complex cultural and artistic process that underlies the introduction of new ideas and motifs to the transalpine renaissance, its generalization and subsequent evolution to typical mannerist forms of plastic expression, since he remained active until at least 1552.
ARTIS – Institute of Art History
(University of Lisbon)
CIDH – Chair Infante Dom Henrique for Atlantic Island Studies and Globalization
(Aberta University)
CLEPUL – Centre for Lusophone and European Literatures and Cultures of the Faculty of Letters (University of Lisbon)
Higher School of Applied Arts
(Polytechnic Institute of Castelo Branco)
PARTNERS
Imaginare - estudos de arte e património em Portugal na época moderna (CIDH-UAb/CLEPUL-FLUL)
​
Faces de Judite - Gabinete de estudos sobre as Mulheres, Cultura, Ciência, Letras e Artes (CIDH-UAb)
SPONSOR
FCT – Foundation of the Science and Technology
THEMATIC AREAS
ORGANISING COMMITTEE
Fernando Grilo
(Artis – FLUL)
​
Joana Balsa de Pinho
(CLEPUL – FLUL/Artis – FLUL)
​
Ricardo J. Nunes da Silva
(ESART-IPCB/ Artis – FLUL)
SCIENTIFIC
COMMITTEE
Francisco Lameira
(Universidade do Algarve)
​
Javier Ibáñez
(Universidade de Zaragoza)
Jean Marie Guillouet
(Université de Nantes)
​
Joana Pinho
(Universidade de Lisboa)
​
Juan Clemente
(Universidad de Sevilla)
​
Luis Vasallo Toranzo
(Universidad de Valladolid)
Marco Nobile
(Università di Palermo)
Maria João Neto
(Universidade de Lisboa)
Ana Cristina Correia de Sousa
(Universidade do Porto)
Alfredo Morales
(Universidad de Sevilla)
Ana Castro Santamaria
(Universidad de Salamanca)
Begoña Alonso
(Universidad da Cantábria)
Carmen Morte Garcia
(Universidad de Zaragoza)
Clara Maria Martins de Moura Soares (Universidade de Lisboa)
Fernando Grilo
(Universidade de Lisboa)
​
Fernando Marías
(Universidad Autónoma de Madrid)
​
Fernando Villaseñor
(Universidad da Cantábria)
Maria José Redondo Cantera
(Universidad de Valladolid)
Maria de Lurdes Craveiro
(Universidade de Coimbra)
Pedro Flor
(Universidade Aberta/Universidade Nova de Lisboa)
Ricardo J. Nunes da Silva
(Inst. Polit. de Castelo Branco/Universidade de Lisboa)
Sonia Morales Cano
(Universidad de Castilla La Mancha)
Teresa Laguna
(Universidad de Sevilla)
Vítor Serrão
(Universidade de Lisboa)
Nicolau Chanterene and his time
​
Exchanges of artists, forms and ideas in Portugal and in Europe
Sculptural practice and its specificities
Techniques and materials
The sculpture in the context of architecture
Workshop geographies
Aesthetics in dialogue: Late Gothic and Renaissance
Sculpture and iconography
Sources and models
Theory of image
Conservation and restoration practices for sculpture
Sculptural heritage in the context of collecting and museology
PRESENTATION
ORGANIZATION
EXECUTIVE SECRETARIAT
Carolina Grilo (CLEPUL – FLUL)
​
Inês Cristóvão (ARTIS – FLUL)
​
CALL FOR PAPERS
Paper proposals will be accepted within the thematic areas defined for the congress and on related subjects. Those interested should send an abstract in one of the following languages: Portuguese, Spanish, English, Italian or French, 300 words maximum, including the title, accompanied by a short curricular note (200 words maximum) and five keywords.
​
Paper proposals should be sent to chanterene2018@gmail.com by April 15.
Proposals will not be accepted after the deadline.
The Scientific Committee will review the paper proposals and their acceptance for presentation will be notified to the authors on the announced date.
The public presentation of the paper should not exceed 20 minutes.
Papers presented at the congress and submitted for publication will be re-evaluated by the Scientific Committee. All papers approved under this review will be published as a study book.
RELEVANT DATES
Deadline for sending paper proposals
April 30, 2018
Announcement of the approval of paper proposals
May 30, 2018
Congress dates
October 22, 23 and 24, 2018
Deadline for sending the final paper draft for publication
January 30, 2019
REGISTRATION
CONTACTS
For further information contact:
​
+351 217 920 000
Faculdade de Letras
Alameda da Universidade
1600-214 Lisboa
​
